The Development of African Drama |
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Seite 53
relative of the woman but now orphaned and homeless; some cynical young
people who have chosen a life of petty crime rather than go to a Boer-controlled
blacks-only university; a preacher, a doctor; and a policeman called Pelepele,
and ...
relative of the woman but now orphaned and homeless; some cynical young
people who have chosen a life of petty crime rather than go to a Boer-controlled
blacks-only university; a preacher, a doctor; and a policeman called Pelepele,
and ...
Seite 73
Michael Etherton. warriors who murdered his father. The wives do not know who
this young man is— though, of course, the audience does. In their ignorance the
wives reveal who they are and brag to him about the brutal manner in which their
...
Michael Etherton. warriors who murdered his father. The wives do not know who
this young man is— though, of course, the audience does. In their ignorance the
wives reveal who they are and brag to him about the brutal manner in which their
...
Seite 79
First of all, the young Ozidi, unlike his father, is very dependent upon women:
upon his mother and grandmother, but particularly on his grandmother, Oreame.
Orea provides her son with a mother's love and devotion, but it is Oreame who ...
First of all, the young Ozidi, unlike his father, is very dependent upon women:
upon his mother and grandmother, but particularly on his grandmother, Oreame.
Orea provides her son with a mother's love and devotion, but it is Oreame who ...
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Inhalt
Acknowledgements | 8 |
JBUJIQIA | 28 |
independence | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Bero Black Mamba Botswana Brecht characters Clark colonial conflict consciousness contemporary context contradiction critical culture dance death Dedan Kimathi defined definitions Demoke difficult Dionysus drama and theatre Duro Ladipo English Euripides Everyman example father fight figure film final finally find first Ghana Greek Hubert Ogunde Ibadan ibid influence irony Kaunda Kgkutse killed Kinjeketile Kitunda Kofi lives man’s meaning moral mother Ngugi Nigerian Oedipus office officers Ogun Ogunde Opera Ovonramwen Ozidi peasant Pentheus people’s play play-texts play’s playwright political popular theatre present prison reflects ritual role Rotimi rural sacrifice saga satire scene significance sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Wonyosi Yoruba young Zambian