The Development of African Drama |
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Seite 174
In another scene, at the beginning of the Third Movement, Woman, Boy and Girl
are brought together in a symbolic grouping: [They move a little way off. Both Girl
and Boy sit at the feet of the Woman. It should be symbolic: the Woman now ...
In another scene, at the beginning of the Third Movement, Woman, Boy and Girl
are brought together in a symbolic grouping: [They move a little way off. Both Girl
and Boy sit at the feet of the Woman. It should be symbolic: the Woman now ...
Seite 206
A younger, a more 'modern' woman is sought. The complex relationship between
beauty, love and hard work is developed by Ama Ata Aidoo, as we shall see later,
in her play Anowa. In Amavi, the notion of ageing is tied up with the loss of ...
A younger, a more 'modern' woman is sought. The complex relationship between
beauty, love and hard work is developed by Ama Ata Aidoo, as we shall see later,
in her play Anowa. In Amavi, the notion of ageing is tied up with the loss of ...
Seite 233
The old woman, of the Mouth-that-Eats-Pepe-andSalt, asks this at the end of the
phase: She thinks our forefathers should have waited for her to be born so she
could have upbraided them for their misdeeds and shown them what actions of ...
The old woman, of the Mouth-that-Eats-Pepe-andSalt, asks this at the end of the
phase: She thinks our forefathers should have waited for her to be born so she
could have upbraided them for their misdeeds and shown them what actions of ...
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Inhalt
Acknowledgements | 8 |
JBUJIQIA | 28 |
independence | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Bero Black Mamba Botswana Brecht characters Clark colonial conflict consciousness contemporary context contradiction critical culture dance death Dedan Kimathi defined definitions Demoke difficult Dionysus drama and theatre Duro Ladipo English Euripides Everyman example father fight figure film final finally find first Ghana Greek Hubert Ogunde Ibadan ibid influence irony Kaunda Kgkutse killed Kinjeketile Kitunda Kofi lives man’s meaning moral mother Ngugi Nigerian Oedipus office officers Ogun Ogunde Opera Ovonramwen Ozidi peasant Pentheus people’s play play-texts play’s playwright political popular theatre present prison reflects ritual role Rotimi rural sacrifice saga satire scene significance sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Wonyosi Yoruba young Zambian