The Development of African Drama |
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Seite 98
In this last option the authentic tone is achieved lexically rather than structurally,
but it is rather inappropriate for plays with a contemporary urban setting. There
has been a great deal written on how English can be developed as an
appropriate ...
In this last option the authentic tone is achieved lexically rather than structurally,
but it is rather inappropriate for plays with a contemporary urban setting. There
has been a great deal written on how English can be developed as an
appropriate ...
Seite 179
The criterion for all his plays, including these three, is the accessibility of what he
wants to say to a mass urban or rural audience. He has commented that a
people's theatre should be able to be performed anywhere, so that 'the theatre
can go ...
The criterion for all his plays, including these three, is the accessibility of what he
wants to say to a mass urban or rural audience. He has commented that a
people's theatre should be able to be performed anywhere, so that 'the theatre
can go ...
Seite 326
It meant travelling deep into the rural areas; it meant performing in dirty and
dilapidated halls or on playing fields, in village clearings or in urban bars; it
meant audiences of 3000, or audiences of less than a hundred — though large or
small, ...
It meant travelling deep into the rural areas; it meant performing in dirty and
dilapidated halls or on playing fields, in village clearings or in urban bars; it
meant audiences of 3000, or audiences of less than a hundred — though large or
small, ...
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Inhalt
Acknowledgements | 8 |
JBUJIQIA | 28 |
independence | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Bero Black Mamba Botswana Brecht characters Clark colonial conflict consciousness contemporary context contradiction critical culture dance death Dedan Kimathi defined definitions Demoke difficult Dionysus drama and theatre Duro Ladipo English Euripides Everyman example father fight figure film final finally find first Ghana Greek Hubert Ogunde Ibadan ibid influence irony Kaunda Kgkutse killed Kinjeketile Kitunda Kofi lives man’s meaning moral mother Ngugi Nigerian Oedipus office officers Ogun Ogunde Opera Ovonramwen Ozidi peasant Pentheus people’s play play-texts play’s playwright political popular theatre present prison reflects ritual role Rotimi rural sacrifice saga satire scene significance sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Wonyosi Yoruba young Zambian