The Development of African DramaAfricana Publishing Company, 1982 - 368 Seiten |
Im Buch
Ergebnisse 1-3 von 84
Seite 44
... theatre company to travel all round Nigeria , and even beyond its boundaries , meant a wider circulation of these issues which certainly made him a thorn in the flesh of the colonial authorities . This led to his theatre being banned in ...
... theatre company to travel all round Nigeria , and even beyond its boundaries , meant a wider circulation of these issues which certainly made him a thorn in the flesh of the colonial authorities . This led to his theatre being banned in ...
Seite 47
... theatre company ; he didn't share Ogunde's enthusiasm of the earlier years for cultural nationalism ; and eventually he turned completely to night club entertainment and to developing Nigerian pop music . His heirs are the contemporary ...
... theatre company ; he didn't share Ogunde's enthusiasm of the earlier years for cultural nationalism ; and eventually he turned completely to night club entertainment and to developing Nigerian pop music . His heirs are the contemporary ...
Seite 50
... company ; and someone else went to Germany . Moses Olaiya went on to become a very wealthy man . He too , like Ogunde , has established a number of successful enterprises and ancillary companies besides the main theatre company . When ...
... company ; and someone else went to Germany . Moses Olaiya went on to become a very wealthy man . He too , like Ogunde , has established a number of successful enterprises and ancillary companies besides the main theatre company . When ...
Inhalt
Introduction | 11 |
Traditional performance in contemporary society | 41 |
Drama as literature and performance | 91 |
Urheberrecht | |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors actually African drama Ama Ata Aidoo Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian