The Development of African Drama |
Im Buch
Ergebnisse 1-3 von 45
Seite 129
Winston, talking of another prisoner, tells John relentlessly: . . . Twenty perfect
blocks of stone every day. Nobody else can do it like him. He loves stone. That's
why they're nice to him. He's forgotten himself. He's forgotten everything . . . why ...
Winston, talking of another prisoner, tells John relentlessly: . . . Twenty perfect
blocks of stone every day. Nobody else can do it like him. He loves stone. That's
why they're nice to him. He's forgotten himself. He's forgotten everything . . . why ...
Seite 159
He is an Arab, Kinjeketile tells him, the Sultan of Zanzibar. 'You speak some
strange Swahili,' Kitunda tells him, '— like Arabic.' Kinjeketile: I do? Kitunda: Yes.
Kinjeketile: Me? Kitunda: You said that we will be the children of Seyyid Said.
He is an Arab, Kinjeketile tells him, the Sultan of Zanzibar. 'You speak some
strange Swahili,' Kitunda tells him, '— like Arabic.' Kinjeketile: I do? Kitunda: Yes.
Kinjeketile: Me? Kitunda: You said that we will be the children of Seyyid Said.
Seite 177
For example, Woman tells the youth that she was a '. . . bad woman . . . a lost
stinking life . . . until I heard the call'. Boy, naturally, asks 'Of Jesus?' To which
Woman replies: 'The call of our people. The humiliated, the injured, the insulted,
the ...
For example, Woman tells the youth that she was a '. . . bad woman . . . a lost
stinking life . . . until I heard the call'. Boy, naturally, asks 'Of Jesus?' To which
Woman replies: 'The call of our people. The humiliated, the injured, the insulted,
the ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Acknowledgements | 8 |
JBUJIQIA | 28 |
independence | 143 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Bero Black Mamba Botswana Brecht characters Clark colonial conflict consciousness contemporary context contradiction critical culture dance death Dedan Kimathi defined definitions Demoke difficult Dionysus drama and theatre Duro Ladipo English Euripides Everyman example father fight figure film final finally find first Ghana Greek Hubert Ogunde Ibadan ibid influence irony Kaunda Kgkutse killed Kinjeketile Kitunda Kofi lives man’s meaning moral mother Ngugi Nigerian Oedipus office officers Ogun Ogunde Opera Ovonramwen Ozidi peasant Pentheus people’s play play-texts play’s playwright political popular theatre present prison reflects ritual role Rotimi rural sacrifice saga satire scene significance sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Wonyosi Yoruba young Zambian