The Development of African DramaAfricana Publishing Company, 1982 - 368 Seiten |
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Seite 69
... saga as he told it was painstakingly tran- scribed , and the Ijo then translated more or less word for word into English . Clark published this in 1977 with the title The Ozidi Saga with his English translation alongside Okabou's Ijo ...
... saga as he told it was painstakingly tran- scribed , and the Ijo then translated more or less word for word into English . Clark published this in 1977 with the title The Ozidi Saga with his English translation alongside Okabou's Ijo ...
Seite 70
... saga . Inevitably , some of the images photographed during the live performance in Orua were condensed or even discarded in the film . However , even if the recording were perfect , the experience of the saga for one outside the Ijo saga ...
... saga . Inevitably , some of the images photographed during the live performance in Orua were condensed or even discarded in the film . However , even if the recording were perfect , the experience of the saga for one outside the Ijo saga ...
Seite 78
... saga which comes from the heart of his own regional culture . He has endeavoured to write into the English version of the saga the meaning , or layers of meaning , which he has foraged out of its deeply traditional cultural appeal for ...
... saga which comes from the heart of his own regional culture . He has endeavoured to write into the English version of the saga the meaning , or layers of meaning , which he has foraged out of its deeply traditional cultural appeal for ...
Inhalt
Introduction | 11 |
Traditional performance in contemporary society | 41 |
Drama as literature and performance | 91 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Ama Ata Aidoo Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian