The Development of African Drama |
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Seite 49
But whereas Tutuola's fiction was a quest for self, with a view of the world from a
somewhat tilted point of view, Ogunmola's play makes this serious work
superficial, for it is set as the dream, or the nightmare, of the central character,
Lanke, the ...
But whereas Tutuola's fiction was a quest for self, with a view of the world from a
somewhat tilted point of view, Ogunmola's play makes this serious work
superficial, for it is set as the dream, or the nightmare, of the central character,
Lanke, the ...
Seite 139
The transformation of Pentheus's bloody head into a fountain of wine which ends
the play is a logical outcome of the response of Soyinka to the play by Euripides,
and of the changes which he has made to the structure of it. The land of Thebes,
...
The transformation of Pentheus's bloody head into a fountain of wine which ends
the play is a logical outcome of the response of Soyinka to the play by Euripides,
and of the changes which he has made to the structure of it. The land of Thebes,
...
Seite 307
How the play is staged depends on the audience. If it is ideologically in sympathy
with the play's meanings, it can be considerably cut. The beginning of both
halves can go and the various other sections which are obviously aimed at
another ...
How the play is staged depends on the audience. If it is ideologically in sympathy
with the play's meanings, it can be considerably cut. The beginning of both
halves can go and the various other sections which are obviously aimed at
another ...
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Inhalt
Acknowledgements | 8 |
JBUJIQIA | 28 |
independence | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Bero Black Mamba Botswana Brecht characters Clark colonial conflict consciousness contemporary context contradiction critical culture dance death Dedan Kimathi defined definitions Demoke difficult Dionysus drama and theatre Duro Ladipo English Euripides Everyman example father fight figure film final finally find first Ghana Greek Hubert Ogunde Ibadan ibid influence irony Kaunda Kgkutse killed Kinjeketile Kitunda Kofi lives man’s meaning moral mother Ngugi Nigerian Oedipus office officers Ogun Ogunde Opera Ovonramwen Ozidi peasant Pentheus people’s play play-texts play’s playwright political popular theatre present prison reflects ritual role Rotimi rural sacrifice saga satire scene significance sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Wonyosi Yoruba young Zambian