The Development of African Drama |
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Seite 168
deeply moved by the place Kimathi still holds in the people's hearts. This implies
that his heroic stature has been officially curtailed: We would try to recreate the
same great man of courage, of commitment to the people, as had been so ...
deeply moved by the place Kimathi still holds in the people's hearts. This implies
that his heroic stature has been officially curtailed: We would try to recreate the
same great man of courage, of commitment to the people, as had been so ...
Seite 178
express the same meaning as Kinjeketile. However, an alternative, and perhaps
unconscious, structure at a deeper level moves in a contrary direction as the
Christ-like hero struggles against the people's oppressors. Indeed, the people's
hero ...
express the same meaning as Kinjeketile. However, an alternative, and perhaps
unconscious, structure at a deeper level moves in a contrary direction as the
Christ-like hero struggles against the people's oppressors. Indeed, the people's
hero ...
Seite 324
5 If we accept the Latin Americans crucial distinction between a people's culture
and a popular culture, then the notion of pop as applied to the shows of Ogunde,
Mutwa, and the others, is clearly part of the people's culture, for this theatre is ...
5 If we accept the Latin Americans crucial distinction between a people's culture
and a popular culture, then the notion of pop as applied to the shows of Ogunde,
Mutwa, and the others, is clearly part of the people's culture, for this theatre is ...
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Inhalt
Acknowledgements | 8 |
JBUJIQIA | 28 |
independence | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Bero Black Mamba Botswana Brecht characters Clark colonial conflict consciousness contemporary context contradiction critical culture dance death Dedan Kimathi defined definitions Demoke difficult Dionysus drama and theatre Duro Ladipo English Euripides Everyman example father fight figure film final finally find first Ghana Greek Hubert Ogunde Ibadan ibid influence irony Kaunda Kgkutse killed Kinjeketile Kitunda Kofi lives man’s meaning moral mother Ngugi Nigerian Oedipus office officers Ogun Ogunde Opera Ovonramwen Ozidi peasant Pentheus people’s play play-texts play’s playwright political popular theatre present prison reflects ritual role Rotimi rural sacrifice saga satire scene significance sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Wonyosi Yoruba young Zambian