The Development of African Drama |
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Seite 152
Whilst they are singing this plaintive lament for the end of an epoch, the whites,
Moor and his officers ransack the palace and make off with the treasures. This
powerful little scene at the end of the intensely emotional experience of the battle
is ...
Whilst they are singing this plaintive lament for the end of an epoch, the whites,
Moor and his officers ransack the palace and make off with the treasures. This
powerful little scene at the end of the intensely emotional experience of the battle
is ...
Seite 277
In the second chorus they mime, with the help of Brown's officers who feign being
shot and dying, the process of trading in the midst of death. The stage direction
describes the dance: '(. . . The women march over them, stop to empty their ...
In the second chorus they mime, with the help of Brown's officers who feign being
shot and dying, the process of trading in the midst of death. The stage direction
describes the dance: '(. . . The women march over them, stop to empty their ...
Seite 348
The work has been initiated by a group of university drama teachers on an
unofficial basis; and it involves university students, adult educators and literacy
officers, and young peasant farmers, in making plays which situate the problems
of ...
The work has been initiated by a group of university drama teachers on an
unofficial basis; and it involves university students, adult educators and literacy
officers, and young peasant farmers, in making plays which situate the problems
of ...
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Inhalt
Acknowledgements | 8 |
JBUJIQIA | 28 |
independence | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Bero Black Mamba Botswana Brecht characters Clark colonial conflict consciousness contemporary context contradiction critical culture dance death Dedan Kimathi defined definitions Demoke difficult Dionysus drama and theatre Duro Ladipo English Euripides Everyman example father fight figure film final finally find first Ghana Greek Hubert Ogunde Ibadan ibid influence irony Kaunda Kgkutse killed Kinjeketile Kitunda Kofi lives man’s meaning moral mother Ngugi Nigerian Oedipus office officers Ogun Ogunde Opera Ovonramwen Ozidi peasant Pentheus people’s play play-texts play’s playwright political popular theatre present prison reflects ritual role Rotimi rural sacrifice saga satire scene significance sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Wonyosi Yoruba young Zambian