The Development of African DramaAfricana Publishing Company, 1982 - 368 Seiten |
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Seite 105
... moral ethic differed from Catholic morality in that the Protestants believed that man could communi- cate directly with God , and no longer had to rely on the priesthood through which to approach their creator . A man could therefore ...
... moral ethic differed from Catholic morality in that the Protestants believed that man could communi- cate directly with God , and no longer had to rely on the priesthood through which to approach their creator . A man could therefore ...
Seite 125
... moral claims . This meant that a person had to determine , finally , his own moral responsibil- ity . Thus , the Greek view of fate could be expressed in another way , namely , as the burden of an established moral position ( such as ...
... moral claims . This meant that a person had to determine , finally , his own moral responsibil- ity . Thus , the Greek view of fate could be expressed in another way , namely , as the burden of an established moral position ( such as ...
Seite 251
... moral order is that which ' guarantees a parallel continuity of the species ' . The earth mothers represent this highest moral order in the play ; but it is only , it seems , as a point of reference . They stand aside from the terrible ...
... moral order is that which ' guarantees a parallel continuity of the species ' . The earth mothers represent this highest moral order in the play ; but it is only , it seems , as a point of reference . They stand aside from the terrible ...
Inhalt
Introduction | 11 |
Traditional performance in contemporary society | 41 |
Drama as literature and performance | 91 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Ama Ata Aidoo Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian