The Development of African DramaAfricana Publishing Company, 1982 - 368 Seiten |
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Seite 66
... give that life a secular base . That way we may be able to interpret and reinterpret that serious view of life which is now only dimly manifested in our festivals.2 In his support for the Greeks ( and Aristotle ) Echeruo seems to be ...
... give that life a secular base . That way we may be able to interpret and reinterpret that serious view of life which is now only dimly manifested in our festivals.2 In his support for the Greeks ( and Aristotle ) Echeruo seems to be ...
Seite 159
... give us their support . You also said that after our victory , we will be the children of Seyyid Said . Kinjeketile : After winning the war we will be under Seyyid Said ? I said that ? Kitunda : Yes . Are you ill • . . ? Your face ...
... give us their support . You also said that after our victory , we will be the children of Seyyid Said . Kinjeketile : After winning the war we will be under Seyyid Said ? I said that ? Kitunda : Yes . Are you ill • . . ? Your face ...
Seite 208
... give some to the mother first . [ He dashes into the room and comes out soon ] Truly , I know there is God ! Oh God ... Give us wealth and possessions . And give us safe return home . If anyone says he will not live nor let us also live ...
... give some to the mother first . [ He dashes into the room and comes out soon ] Truly , I know there is God ! Oh God ... Give us wealth and possessions . And give us safe return home . If anyone says he will not live nor let us also live ...
Inhalt
Introduction | 11 |
Traditional performance in contemporary society | 41 |
Drama as literature and performance | 91 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Ama Ata Aidoo Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian