The Development of African Drama |
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Seite 67
Is it simply to do with the fact that one is written down and the other isn't? If this
were so then all that would be needed to preserve a masquerade or a dance
would be some form of notation, a 'score'. Indeed, today we can record such a ...
Is it simply to do with the fact that one is written down and the other isn't? If this
were so then all that would be needed to preserve a masquerade or a dance
would be some form of notation, a 'score'. Indeed, today we can record such a ...
Seite 75
although Clark has brought the ritual into modern-day reality by using a matter-of-
fact tone and contemporary references, it is in fact expressed in English, which
would neither be used in a ritual enactment itself, nor in a performance of that ...
although Clark has brought the ritual into modern-day reality by using a matter-of-
fact tone and contemporary references, it is in fact expressed in English, which
would neither be used in a ritual enactment itself, nor in a performance of that ...
Seite 330
And the fact that the company has already hired foreign technicians has proved
their own deceitfulness. The next scene shows us the dismissal of the workers. It
is very briefly done. The Zambian personnel officer is merely carrying out orders.
And the fact that the company has already hired foreign technicians has proved
their own deceitfulness. The next scene shows us the dismissal of the workers. It
is very briefly done. The Zambian personnel officer is merely carrying out orders.
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Inhalt
Acknowledgements | 8 |
JBUJIQIA | 28 |
independence | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Bero Black Mamba Botswana Brecht characters Clark colonial conflict consciousness contemporary context contradiction critical culture dance death Dedan Kimathi defined definitions Demoke difficult Dionysus drama and theatre Duro Ladipo English Euripides Everyman example father fight figure film final finally find first Ghana Greek Hubert Ogunde Ibadan ibid influence irony Kaunda Kgkutse killed Kinjeketile Kitunda Kofi lives man’s meaning moral mother Ngugi Nigerian Oedipus office officers Ogun Ogunde Opera Ovonramwen Ozidi peasant Pentheus people’s play play-texts play’s playwright political popular theatre present prison reflects ritual role Rotimi rural sacrifice saga satire scene significance sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Wonyosi Yoruba young Zambian