The Development of African DramaAfricana Publishing Company, 1982 - 368 Seiten |
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Seite 291
... actually a significant cause of many of his social traumas . Ajibade's character says ' The Nation must labour ! ' ; Osofisan gets his audience and actors to sing ' When everyone's a farmer . . . / No more injustice / Labour's for all ...
... actually a significant cause of many of his social traumas . Ajibade's character says ' The Nation must labour ! ' ; Osofisan gets his audience and actors to sing ' When everyone's a farmer . . . / No more injustice / Labour's for all ...
Seite 316
... actually want to do the ' right thing ' - where the ' right thing ' is usually seen as retrieving the culture of the people after it has been ravaged by the long years of colonialism and settlerism . The problem is that these people ...
... actually want to do the ' right thing ' - where the ' right thing ' is usually seen as retrieving the culture of the people after it has been ravaged by the long years of colonialism and settlerism . The problem is that these people ...
Seite 321
... actually accomplishing any corre- sponding social transformation . In fact , no theatre can actually , make the revolution . It is even doubtful if ' revolutionary theatre ' can be construed as the ' rehearsal ' for the revolution . A ...
... actually accomplishing any corre- sponding social transformation . In fact , no theatre can actually , make the revolution . It is even doubtful if ' revolutionary theatre ' can be construed as the ' rehearsal ' for the revolution . A ...
Inhalt
Introduction | 11 |
Traditional performance in contemporary society | 41 |
Drama as literature and performance | 91 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Ama Ata Aidoo Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian