The Development of African DramaAfricana Publishing Company, 1982 - 368 Seiten |
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Seite 123
... Rotimi Partly because of the powerful structuring of the ironies of the original , Ola Rotimi's The Gods are not to Blame13 has proved to be one of the most successful modern plays in performance ever since its first production in 1968 ...
... Rotimi Partly because of the powerful structuring of the ironies of the original , Ola Rotimi's The Gods are not to Blame13 has proved to be one of the most successful modern plays in performance ever since its first production in 1968 ...
Seite 139
... Rotimi intends his play to have the opposite meaning of his Greek model . Soyinka ends up pursuing his own play's logic to a different conclusion , and in the process discovers new meanings in the original play . Rotimi transposes ...
... Rotimi intends his play to have the opposite meaning of his Greek model . Soyinka ends up pursuing his own play's logic to a different conclusion , and in the process discovers new meanings in the original play . Rotimi transposes ...
Seite 154
... Rotimi's The Gods are not to Blame in which the oracle fails to offer Odewale any way out of his awful destiny . Whether either accusation is valid ethnologically or not , Rotimi's use of the Ifa oracle is certainly self - fulfilling in ...
... Rotimi's The Gods are not to Blame in which the oracle fails to offer Odewale any way out of his awful destiny . Whether either accusation is valid ethnologically or not , Rotimi's use of the Ifa oracle is certainly self - fulfilling in ...
Inhalt
Introduction | 11 |
Traditional performance in contemporary society | 41 |
Drama as literature and performance | 91 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Ama Ata Aidoo Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian