The Development of African DramaAfricana Publishing Company, 1982 - 368 Seiten |
Im Buch
Ergebnisse 1-3 von 18
Seite 103
... Bacchae , which he calls The Bacchae of Euripides ; 5 the themes may be changed : for example , the inexorability of fate becomes instead the issue of personal culpability in Rotimi's The Gods are not to Blame . Adapting or transposing ...
... Bacchae , which he calls The Bacchae of Euripides ; 5 the themes may be changed : for example , the inexorability of fate becomes instead the issue of personal culpability in Rotimi's The Gods are not to Blame . Adapting or transposing ...
Seite 142
... Bacchae of Euripides , p . vi ; Wole Soyinka , ' The fourth stage ' , in Myth , Literature and the African World ... Bacchae of Euripides , p . xi . 31 Soyinka , The Bacchae of Euripides , p . 95 . 32 ibid . , p . 96 . 33 ibid . , p . 97 ...
... Bacchae of Euripides , p . vi ; Wole Soyinka , ' The fourth stage ' , in Myth , Literature and the African World ... Bacchae of Euripides , p . xi . 31 Soyinka , The Bacchae of Euripides , p . 95 . 32 ibid . , p . 96 . 33 ibid . , p . 97 ...
Seite 362
... Bacchae of Euripides , London : Eyre Methuen 1973 Soyinka , Wole , Camwood on the Leaves , London : Eyre Methuen 1973 Soyinka , Wole , Collected Plays I : The Swamp Dwellers ; The Strong Breed ; The Road ; The Bacchae of Euripides ...
... Bacchae of Euripides , London : Eyre Methuen 1973 Soyinka , Wole , Camwood on the Leaves , London : Eyre Methuen 1973 Soyinka , Wole , Collected Plays I : The Swamp Dwellers ; The Strong Breed ; The Road ; The Bacchae of Euripides ...
Inhalt
Introduction | 11 |
Traditional performance in contemporary society | 41 |
Drama as literature and performance | 91 |
Urheberrecht | |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors actually African drama Ama Ata Aidoo Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian