The Development of African Drama |
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Seite 100
Aristotle, Horace, Longinus: Classical Literary Criticism (Harmondsworth:
Penguin Books 1965). See also Augusto Boal's criticism of Aristotle's Poetics in
Boal, Theatre of the Oppressed (New York: Urizen Books 1979); and, especially,
Brecht's ...
Aristotle, Horace, Longinus: Classical Literary Criticism (Harmondsworth:
Penguin Books 1965). See also Augusto Boal's criticism of Aristotle's Poetics in
Boal, Theatre of the Oppressed (New York: Urizen Books 1979); and, especially,
Brecht's ...
Seite 343
participation of the people themselves in all creative work for and about them. In
fact it is another Latin American, Augusto Boal,12 who is specifically a theatre
activist (though he has participated in Freirian-inspired literacy campaigns in
Peru).
participation of the people themselves in all creative work for and about them. In
fact it is another Latin American, Augusto Boal,12 who is specifically a theatre
activist (though he has participated in Freirian-inspired literacy campaigns in
Peru).
Seite 357
Augusto Boal, Theatre of the Oppressed (New York: Urizen Books 1979, also,
London: Pluto Press 1979). This is a collection of Boal's writings translated into
English. Boal's original works are: Augusto Boal, Categorias del Teatro Popular ...
Augusto Boal, Theatre of the Oppressed (New York: Urizen Books 1979, also,
London: Pluto Press 1979). This is a collection of Boal's writings translated into
English. Boal's original works are: Augusto Boal, Categorias del Teatro Popular ...
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Inhalt
Acknowledgements | 8 |
JBUJIQIA | 28 |
independence | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Bero Black Mamba Botswana Brecht characters Clark colonial conflict consciousness contemporary context contradiction critical culture dance death Dedan Kimathi defined definitions Demoke difficult Dionysus drama and theatre Duro Ladipo English Euripides Everyman example father fight figure film final finally find first Ghana Greek Hubert Ogunde Ibadan ibid influence irony Kaunda Kgkutse killed Kinjeketile Kitunda Kofi lives man’s meaning moral mother Ngugi Nigerian Oedipus office officers Ogun Ogunde Opera Ovonramwen Ozidi peasant Pentheus people’s play play-texts play’s playwright political popular theatre present prison reflects ritual role Rotimi rural sacrifice saga satire scene significance sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Wonyosi Yoruba young Zambian