Bertolt Brecht: Journals 1934 - 1955This book contains selected poems, plays, and prose by Bertolt Brecht taken from various points throughout his career. It includes translations of two prose works and provides some background information on Brecht's life and career. |
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... The Breadshop; The Salzburg Dance of Death Poems 1913-1956; Poems and Songs from the Plays; *Further Poems Brecht on Theatre; Diaries 1920-1922; Letters 1913-1956; Short Stories 1921-1946; *Theoretical Writings Happy End (by Brecht, ...
... The Breadshop; The Salzburg Dance of Death Poems 1913-1956; Poems and Songs from the Plays; *Further Poems Brecht on Theatre; Diaries 1920-1922; Letters 1913-1956; Short Stories 1921-1946; *Theoretical Writings Happy End (by Brecht, ...
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... Leagues of Revolutionary Writers (MORP) and Revolutionary Theatres (MORT) had been closed down. Brecht's last piece of immediate Party-Line theatre had had its première in Paris in May, and in the autumn he wrote Galileo, ...
... Leagues of Revolutionary Writers (MORP) and Revolutionary Theatres (MORT) had been closed down. Brecht's last piece of immediate Party-Line theatre had had its première in Paris in May, and in the autumn he wrote Galileo, ...
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In New York, where he went with Hanns Eisler for the Theatre Union's production of The Mother, there was a new League of American Writers headed by Waldo Frank, with Odets, Michael Gold, Langston Hughes and other Leftists.
In New York, where he went with Hanns Eisler for the Theatre Union's production of The Mother, there was a new League of American Writers headed by Waldo Frank, with Odets, Michael Gold, Langston Hughes and other Leftists.
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Unhappily names like these were almost as remote from the new Soviet orthodoxy – with its nineteenth-century art models, its Stanislavskyan theatre, its neoclassical architecture, its romantic or folksy music and its Socialist Realist ...
Unhappily names like these were almost as remote from the new Soviet orthodoxy – with its nineteenth-century art models, its Stanislavskyan theatre, its neoclassical architecture, its romantic or folksy music and its Socialist Realist ...
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to break the company, and for Brecht their disputes fanned out into a lasting quarrel with John Howard Lawson, the Group Theatre and others now concerned in developing psychological naturalism and the Stanislavskyan 'Method'.
to break the company, and for Brecht their disputes fanned out into a lasting quarrel with John Howard Lawson, the Group Theatre and others now concerned in developing psychological naturalism and the Stanislavskyan 'Method'.
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Inhalt
July 1941 to 5 November 1947 | |
December 1947 to 20 October 1948 | |
October 1948 to 18 July 1955 | |
Editorial Notes | |
Select Bibliography | |
Häufige Begriffe und Wortgruppen
actor appeared army asked August become Berlin bourgeois bourgeoisie Brecht bring called character comes courage course December develop directed discuss effect Eisler element epigrams everything fact feel film force german give hand head hitler idea interesting italy July June kind later leave less letter living look March marxism matter means moral Moscow Mother move naturally nazi never notes November October once performed person play poems political possible present production published question reports russians scene seems social song Soviet stage stand story suggested tell theatre things thought translation turn whole workers write written wrote York
Bibliografische Informationen
| Titel | Bertolt Brecht: Journals 1934 - 1955 |
| Autor/in | Bertolt Brecht |
| Herausgeber | Bertolt Brecht |
| Verlag | Routledge, 2020 |
| ISBN | 1000143317, 9781000143317 |
| Länge | 574 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |