Bertolt Brecht: Journals 1934 - 1955Routledge, 25.11.2020 - 574 Seiten This book contains selected poems, plays, and prose by Bertolt Brecht taken from various points throughout his career. It includes translations of two prose works and provides some background information on Brecht's life and career. |
Im Buch
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... story and collaborates with the leftist John Wexley on the script. Lion Feuchtwanger helps him with the French resistance play Simone Machard, with its flashback Joan of Arc 'visions'; it finds no takers, but Feuchtwanger's novel of ...
... story and collaborates with the leftist John Wexley on the script. Lion Feuchtwanger helps him with the French resistance play Simone Machard, with its flashback Joan of Arc 'visions'; it finds no takers, but Feuchtwanger's novel of ...
Seite
... story, the drama and the theatre, and i only abandoned them when they started getting in the way of what i wanted to say. in poetry i began with songs to the guitar, sketching out the verses at the same time as the music, ballad form ...
... story, the drama and the theatre, and i only abandoned them when they started getting in the way of what i wanted to say. in poetry i began with songs to the guitar, sketching out the verses at the same time as the music, ballad form ...
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... stories entitled EVERY ANIMAL CAN DO IT. 70% of all women are supposed to be frigid, we have good titles (HASTE IS THE WIND that brings down the wooden scaffolding, all the king's HORSES AND ALL THE KING'S MEN. then SERVICE etc), the ...
... stories entitled EVERY ANIMAL CAN DO IT. 70% of all women are supposed to be frigid, we have good titles (HASTE IS THE WIND that brings down the wooden scaffolding, all the king's HORSES AND ALL THE KING'S MEN. then SERVICE etc), the ...
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... story-tellers' into 'describers'. they capitulate, they adopt the capitalist standpoint, they dehumanise life, the protests they add are not allowed to stand, they are post festum, they are laboured afterthoughts, exercises in ...
... story-tellers' into 'describers'. they capitulate, they adopt the capitalist standpoint, they dehumanise life, the protests they add are not allowed to stand, they are post festum, they are laboured afterthoughts, exercises in ...
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... story. What one has to do is ignore them and look to the classics, nowhere does he deal with the formalisms of the democracies and the fascist state, (cranking up production - of the means of destruction, liquidating the class struggle ...
... story. What one has to do is ignore them and look to the classics, nowhere does he deal with the formalisms of the democracies and the fascist state, (cranking up production - of the means of destruction, liquidating the class struggle ...
Inhalt
July 1941 to 5 November 1947 | |
December 1947 to 20 October 1948 | |
October 1948 to 18 July 1955 | |
Editorial Notes | |
Select Bibliography | |
Häufige Begriffe und Wortgruppen
a-effect actor April army artists audience August become Bergner Berthold Viertel bourgeois bourgeoisie Brecht Caucasian Chalk Circle Chalk Circle Communist culture December dessau Deutsches Theater dialectics Duchess of Malfi East Berlin Eisler empathy Ensemble epic epic theatre everything exile fascism Fear and Misery feuchtwanger film finnish Galileo german gorelik grete heinrich mann Helene Weigel helli hitler Hollywood interesting July kortner look mann marxism moral Moscow Mother Courage Munich naturally nazi Neher novel November October PERSON OF SZECHWAN Piscator play poems political production proletariat Puntila realistic rehearsals Reich russians Ruth Berlau scene Schweyk seems social socialist song Soviet stage steff story struggle SZECHWAN theatre things Thomas Mann Threepenny Opera translation USSR Viertel Weigel Weill workers write wrote Zurich