Bertolt Brecht: Journals 1934 - 1955Routledge, 25.11.2020 - 574 Seiten This book contains selected poems, plays, and prose by Bertolt Brecht taken from various points throughout his career. It includes translations of two prose works and provides some background information on Brecht's life and career. |
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... German writers there were keen to comply, and obediently accused one another. Moscow-based organisations like the International Leagues of Revolutionary Writers (MORP) and Revolutionary Theatres (MORT) had been closed down. Brecht's ...
... German writers there were keen to comply, and obediently accused one another. Moscow-based organisations like the International Leagues of Revolutionary Writers (MORP) and Revolutionary Theatres (MORT) had been closed down. Brecht's ...
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... German Art in Munich. So long as Moscow contained such international arts bodies as MORP, MORT, the International Music Bureau (through which Eisler was hoping to promote serialism) and Mezhrabpom-Film, the Party's artists and writers ...
... German Art in Munich. So long as Moscow contained such international arts bodies as MORP, MORT, the International Music Bureau (through which Eisler was hoping to promote serialism) and Mezhrabpom-Film, the Party's artists and writers ...
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... German National Committee in Moscow. A few of his writings began to appear in English, notably the bilingual edition of Selected Poems translated by H. R. Hays; there was a tentative plan to take this further, but the publishers changed ...
... German National Committee in Moscow. A few of his writings began to appear in English, notably the bilingual edition of Selected Poems translated by H. R. Hays; there was a tentative plan to take this further, but the publishers changed ...
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... German cultural arbiters would not, for they were dominated by reliable ex-members of the 'Moscow clique', with Lukacs still as their politico-aesthetic authority, and, in so far as they were reinforced by the locals, these could have ...
... German cultural arbiters would not, for they were dominated by reliable ex-members of the 'Moscow clique', with Lukacs still as their politico-aesthetic authority, and, in so far as they were reinforced by the locals, these could have ...
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... German in his time he not only supervised the work of American, British, and other colleagues but did much of the translating himself – most recently the large volume of Brecht's Letters over five decades. He was still working when the ...
... German in his time he not only supervised the work of American, British, and other colleagues but did much of the translating himself – most recently the large volume of Brecht's Letters over five decades. He was still working when the ...
Inhalt
July 1941 to 5 November 1947 | |
December 1947 to 20 October 1948 | |
October 1948 to 18 July 1955 | |
Editorial Notes | |
Select Bibliography | |
Häufige Begriffe und Wortgruppen
a-effect actor April army artists audience August become Bergner Berthold Viertel bourgeois bourgeoisie Brecht Caucasian Chalk Circle Chalk Circle Communist culture December dessau Deutsches Theater dialectics Duchess of Malfi East Berlin Eisler empathy Ensemble epic epic theatre everything exile fascism Fear and Misery feuchtwanger film finnish Galileo german gorelik grete heinrich mann Helene Weigel helli hitler Hollywood interesting July kortner look mann marxism moral Moscow Mother Courage Munich naturally nazi Neher novel November October PERSON OF SZECHWAN Piscator play poems political production proletariat Puntila realistic rehearsals Reich russians Ruth Berlau scene Schweyk seems social socialist song Soviet stage steff story struggle SZECHWAN theatre things Thomas Mann Threepenny Opera translation USSR Viertel Weigel Weill workers write wrote Zurich