Apparent Narrative as Thematic Metaphor: The Organization of the Faerie QueeneClarendon Press, 1983 - 232 Seiten |
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Seite 98
... Venus ' in her little loves stead , which was strayd ' ( vi . 28 ) . Cupid had fled from ' her blisfull bowre of joy above ' ( 11 ) . To find him Venus left her heavenly hous , The house of goodly formes and faire aspects , Whence all ...
... Venus ' in her little loves stead , which was strayd ' ( vi . 28 ) . Cupid had fled from ' her blisfull bowre of joy above ' ( 11 ) . To find him Venus left her heavenly hous , The house of goodly formes and faire aspects , Whence all ...
Seite 124
... Venus behind the veil . The goddess , too , almost manifests her true self . The veil is ' slender ' . Her twin legs are joined by the self - devouring serpent of Eternity ( 40 ) . She stands upon an altar of ' costly ' , if still ...
... Venus behind the veil . The goddess , too , almost manifests her true self . The veil is ' slender ' . Her twin legs are joined by the self - devouring serpent of Eternity ( 40 ) . She stands upon an altar of ' costly ' , if still ...
Seite 139
... Venus looking glas ' is the apostle's mirror . Britomart's consultation of this looking - glass aligns her with Venus , implicitly : like the goddess she represents eternal union , but ' darkely ' . By way of complementary metaphor she ...
... Venus looking glas ' is the apostle's mirror . Britomart's consultation of this looking - glass aligns her with Venus , implicitly : like the goddess she represents eternal union , but ' darkely ' . By way of complementary metaphor she ...
Inhalt
One GROUNDWORK | 1 |
Two SCUDAMOUR AND AMORET | 72 |
Three BRITOMART AND ARTEGALL | 131 |
Urheberrecht | |
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