Deleuze and Memorial Culture: Desire, Singular Memory and the Politics of Trauma

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Edinburgh University Press, 11.03.2008 - 216 Seiten
Deleuze and Memorial Culture is a detailed study of contemporary forms of public remembrance. Adrian Parr considers the different character traumatic memory takes throughout the sphere of cultural production and argues that contemporary memorial culture has the power to put traumatic memory to work in a positive way. Drawing on the conceptual apparatus of Gilles Deleuze, she outlines the relevance of his thought to cultural studies and the wider phenomenon of traumatic theory and public remembrance. This book offers a revision of trauma theory that presents trauma not simply as a definitive experience and implicitly negative, but an experience that can foster a sense of hope and optimism for the future.
 

Inhalt

Introduction
1
1 Desire is Social
15
2 Utopian Memory
34
3 The Vietnam Veterans Memorial
54
4 911 News Coverage
76
5 US Military Abuses at Abu Ghraib
94
6 The Amish Shootings
112
7 Ground Zero
128
8 Berlin and the Holocaust
143
9 Trauma and Consumption
166
Conclusion
181
Bibliography
190
Index
198
Urheberrecht

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Autoren-Profil (2008)

Adrian Parr is Professor of Critical Theory at the University of Cincinnati. She is the editor of The Deleuze Dictionary (EUP, 2005), and with Ian Buchanan of Deleuze and the Contemporary World (EUP, 2006). She is the author of Exploring the Work of Leonardo da Vinci within the Context of Contemporary Philosophical Thought and Art (Edwin Mellen Press, 2003).

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