Im Buch
Ergebnisse 1-3 von 72
Seite 264
I present the two for comparison ; first the translation of Homer ( 1715 ) : Now by this sacred Sceptre , hear me swear , Which never more shall Leaves or Blossoms bear , Which sever'd from the Trunk ( as I from thee ) On the bare ...
I present the two for comparison ; first the translation of Homer ( 1715 ) : Now by this sacred Sceptre , hear me swear , Which never more shall Leaves or Blossoms bear , Which sever'd from the Trunk ( as I from thee ) On the bare ...
Seite 637
In the opening note to Book II he makes a shrewd exposure of the dangers of conjectural emendation : Two things there are , upon which all verbal Criticism is founded and supported : The first , that the Author could never fail to use ...
In the opening note to Book II he makes a shrewd exposure of the dangers of conjectural emendation : Two things there are , upon which all verbal Criticism is founded and supported : The first , that the Author could never fail to use ...
Seite 641
Miserable fate ! which can befall only the sprightliest Wits that have written , and befall them only from such dull ones as could never write ! 18 The dull ones who could never write : among those Pope , of course , included Theobald .
Miserable fate ! which can befall only the sprightliest Wits that have written , and befall them only from such dull ones as could never write ! 18 The dull ones who could never write : among those Pope , of course , included Theobald .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
F R LEAVIS | 3 |
W H AUDEN | 22 |
SAMUEL HOLT MONK | 38 |
Urheberrecht | |
39 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Addison appears attitude beauty become beginning Book called century character couplet course critics death Dryden Dulness Dunciad early edition effect Eloisa English epic Epistle Essay evidence example expression fact final garden give grace grotto hand Homer human idea Iliad imitation important interest kind later least less letter light lines literary live Lock London manuscript matter meaning mind moral nature never once opening original parallel passage perhaps poem poet poetic poetry Pope Pope's praise present printed published Rape reader reason reference remark rhetorical rhyme satire seems sense suggest taste things thought tion translation true turn University verse whole writing written