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Seite 245
The continual confrontation of these two drives is present throughout the empirical history of art , but is also that which is ( to be ) presented by the discipline of art history , by the practice of art - historical writing .
The continual confrontation of these two drives is present throughout the empirical history of art , but is also that which is ( to be ) presented by the discipline of art history , by the practice of art - historical writing .
Seite 277
This praxis , and its resistance to the rigid conceptualization of Artaud's thought and writing , calls for “ an economy of interpretation that renounces every profit ( every extraction of meaning ) that would come in the form of a ...
This praxis , and its resistance to the rigid conceptualization of Artaud's thought and writing , calls for “ an economy of interpretation that renounces every profit ( every extraction of meaning ) that would come in the form of a ...
Seite 278
Derrida , “ The Theater of Cruelty and the Closure of Representation , " in Writing and Difference ( see note 5 ) , 232–50 , quotation on 234 ( emphasis in the original ) . Ibid . , 232 . 24 . 25. Ibid . , 247 . 26. Ibid . , 246–47 .
Derrida , “ The Theater of Cruelty and the Closure of Representation , " in Writing and Difference ( see note 5 ) , 232–50 , quotation on 234 ( emphasis in the original ) . Ibid . , 232 . 24 . 25. Ibid . , 247 . 26. Ibid . , 246–47 .
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Inhalt
The Meaning of Life MAY 0 3 | 135 |
Barebacking the Queer Male Subject and | 156 |
Waking Life and the Digital Aesthetics | 184 |
Urheberrecht | |
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