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Seite 190
If we refer this contemporary sense of dislocation back to Henri Lefebvre's earlier , seminal book , The Production of Space ( 1991 ) , we can see how dislocation opens up the possibility of understanding the cultural assimilation of ...
If we refer this contemporary sense of dislocation back to Henri Lefebvre's earlier , seminal book , The Production of Space ( 1991 ) , we can see how dislocation opens up the possibility of understanding the cultural assimilation of ...
Seite 191
26 It thus becomes evident how abstract space as pseudosubject functions as a regulatory tool of the state , systematically framing embodiment and life as textual ( or possible , which means they are already predetermined by existing ...
26 It thus becomes evident how abstract space as pseudosubject functions as a regulatory tool of the state , systematically framing embodiment and life as textual ( or possible , which means they are already predetermined by existing ...
Seite 192
Indeed , the pseudosubjectivity of abstract space is visualized as conceptual and therefore modifiable , rather than seamlessly homogenized in the illusory “ stability " of the conventional representational space of cinema .
Indeed , the pseudosubjectivity of abstract space is visualized as conceptual and therefore modifiable , rather than seamlessly homogenized in the illusory “ stability " of the conventional representational space of cinema .
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Inhalt
The Meaning of Life MAY 0 3 | 135 |
Barebacking the Queer Male Subject and | 156 |
Waking Life and the Digital Aesthetics | 184 |
Urheberrecht | |
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abstract actual aesthetics affect AIDS animation argues Artaud attempt barebacking becomes biological biopolitics body calculability calls capitalism cinema concept contemporary continuity critical critique culture Deleuze Derrida desire differential discourse discussion Duke University economy engage essay Eugene example existence experience expression figure film flows follow force Foucault function Guattari homosexual human Ibid identity immanence inorganic insistence intensity Kracauer language limits living machine Marxism material meaning Michel Michigan move movement nature notion object opening organic original performance play political position possible potential practice present production provides pure question race reading reality refer relation representation rhetoric rotoscoping sense sexual signifying social society space structure studies suggests theater theory thought tion trans understanding University Press Vincent virtual visual Waking Worringer Worringer's writing York