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Seite 231
Furthermore , the two men's constant sharing of bodily fluids and emotional states , their sharing of living space , indeed their shared lived - in - ness , creates a state of interrelatedness that radically undermines the position of ...
Furthermore , the two men's constant sharing of bodily fluids and emotional states , their sharing of living space , indeed their shared lived - in - ness , creates a state of interrelatedness that radically undermines the position of ...
Seite 236
Such a rupture of its clean suture reminds us of our own historical position , where we stand in this liminal position of casting a postracial situation and future , yet seem caught in the codes of raciality that imbue that economy .
Such a rupture of its clean suture reminds us of our own historical position , where we stand in this liminal position of casting a postracial situation and future , yet seem caught in the codes of raciality that imbue that economy .
Seite 273
33 While his later emphasis on the incessant affirmation intrinsic to the Theater of Cruelty complicates this disparaging position , Deleuze and Guattari also recognize that the intensity to which Artaud bears witness cannot be glimpsed ...
33 While his later emphasis on the incessant affirmation intrinsic to the Theater of Cruelty complicates this disparaging position , Deleuze and Guattari also recognize that the intensity to which Artaud bears witness cannot be glimpsed ...
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Inhalt
The Meaning of Life MAY 0 3 | 135 |
Barebacking the Queer Male Subject and | 156 |
Waking Life and the Digital Aesthetics | 184 |
Urheberrecht | |
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abstract actual aesthetics affect AIDS animation argues Artaud attempt barebacking becomes biological biopolitics body calculability calls capitalism cinema concept contemporary continuity critical critique culture Deleuze Derrida desire differential discourse discussion Duke University economy engage essay Eugene example existence experience expression figure film flows follow force Foucault function Guattari homosexual human Ibid identity immanence inorganic insistence intensity Kracauer language limits living machine Marxism material meaning Michel Michigan move movement nature notion object opening organic original performance play political position possible potential practice present production provides pure question race reading reality refer relation representation rhetoric rotoscoping sense sexual signifying social society space structure studies suggests theater theory thought tion trans understanding University Press Vincent virtual visual Waking Worringer Worringer's writing York