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Seite 177
This is rendered , primarily , through the whimsical play on words suggested within the image track . Such a play is in itself dependent on a double displacement of an intermedial juxtaposition ( image and text ) and its homophonic ...
This is rendered , primarily , through the whimsical play on words suggested within the image track . Such a play is in itself dependent on a double displacement of an intermedial juxtaposition ( image and text ) and its homophonic ...
Seite 235
In the geneticist's office scene that follows , the selection of the second child's gender— " a brother for Vincent to play with ” -suggests the total usurpation of the feminine ( the mother's anachronistic beliefs ) by the masculine ...
In the geneticist's office scene that follows , the selection of the second child's gender— " a brother for Vincent to play with ” -suggests the total usurpation of the feminine ( the mother's anachronistic beliefs ) by the masculine ...
Seite 271
... Félix Guattari direct their inquiry into the radical potential of Artaud's concept of the body without organs , a notion that appeared late in Artaud's life in the controversial radio play " To Have Done with the Judgment of God .
... Félix Guattari direct their inquiry into the radical potential of Artaud's concept of the body without organs , a notion that appeared late in Artaud's life in the controversial radio play " To Have Done with the Judgment of God .
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Inhalt
The Meaning of Life MAY 0 3 | 135 |
Barebacking the Queer Male Subject and | 156 |
Waking Life and the Digital Aesthetics | 184 |
Urheberrecht | |
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abstract actual aesthetics affect AIDS animation argues Artaud attempt barebacking becomes biological biopolitics body calculability calls capitalism cinema concept contemporary continuity critical critique culture Deleuze Derrida desire differential discourse discussion Duke University economy engage essay Eugene example existence experience expression figure film flows follow force Foucault function Guattari homosexual human Ibid identity immanence inorganic insistence intensity Kracauer language limits living machine Marxism material meaning Michel Michigan move movement nature notion object opening organic original performance play political position possible potential practice present production provides pure question race reading reality refer relation representation rhetoric rotoscoping sense sexual signifying social society space structure studies suggests theater theory thought tion trans understanding University Press Vincent virtual visual Waking Worringer Worringer's writing York