Discourse, Band 33,Ausgabe 22011 |
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Seite 211
... performance . However , it is the climactic stage performance that actualizes the earlier sequences through its temporal poesis . In considering the beauty of this sequence , we call to mind a range of differently inflected experiences ...
... performance . However , it is the climactic stage performance that actualizes the earlier sequences through its temporal poesis . In considering the beauty of this sequence , we call to mind a range of differently inflected experiences ...
Seite 218
... performance . In conclusion , we can deduce that by taking film theory beyond the limits of visual and aural dimensions , and beyond haptic , cogni- tive , or psychoanalytic frameworks , we can argue for schizoanalysis as a model for ...
... performance . In conclusion , we can deduce that by taking film theory beyond the limits of visual and aural dimensions , and beyond haptic , cogni- tive , or psychoanalytic frameworks , we can argue for schizoanalysis as a model for ...
Seite 265
... performance before a captive group of docile spectators , or the aestheticized representation of an objective reality . The theater , rather , is the setting for that which “ wakes us up : nerves and heart . ” 8 It is the experience of ...
... performance before a captive group of docile spectators , or the aestheticized representation of an objective reality . The theater , rather , is the setting for that which “ wakes us up : nerves and heart . ” 8 It is the experience of ...
Inhalt
The Meaning of Life MAY 0 3 | 135 |
Barebacking the Queer Male Subject and | 156 |
Waking Life and the Digital Aesthetics | 184 |
Urheberrecht | |
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