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Seite 140
23 In Marx's own writings , capital determines life as particular “ life forms , ” and life “ itself ” cannot be construed as a productive force : thus , struggle must focus on the actual forces that mutilate the lives of proletarians .
23 In Marx's own writings , capital determines life as particular “ life forms , ” and life “ itself ” cannot be construed as a productive force : thus , struggle must focus on the actual forces that mutilate the lives of proletarians .
Seite 264
If we are to pursue , without overtaking , the elusive intensity provoking this excess — that which Artaud calls life — we cannot simply subjugate it to the annihilatory force of the understanding , to the dissecting and desiccating ...
If we are to pursue , without overtaking , the elusive intensity provoking this excess — that which Artaud calls life — we cannot simply subjugate it to the annihilatory force of the understanding , to the dissecting and desiccating ...
Seite 270
Just as laughter asserts a disruptive and unrepresentable force against the incessant production of meaning , the Theater of Cruelty is “ not a representation . It is life itself , in the extent to which life is unrepresentable .
Just as laughter asserts a disruptive and unrepresentable force against the incessant production of meaning , the Theater of Cruelty is “ not a representation . It is life itself , in the extent to which life is unrepresentable .
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Inhalt
The Meaning of Life MAY 0 3 | 135 |
Barebacking the Queer Male Subject and | 156 |
Waking Life and the Digital Aesthetics | 184 |
Urheberrecht | |
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abstract actual aesthetics affect AIDS animation argues Artaud attempt barebacking becomes biological biopolitics body calculability calls capitalism cinema concept contemporary continuity critical critique culture Deleuze Derrida desire differential discourse discussion Duke University economy engage essay Eugene example existence experience expression figure film flows follow force Foucault function Guattari homosexual human Ibid identity immanence inorganic insistence intensity Kracauer language limits living machine Marxism material meaning Michel Michigan move movement nature notion object opening organic original performance play political position possible potential practice present production provides pure question race reading reality refer relation representation rhetoric rotoscoping sense sexual signifying social society space structure studies suggests theater theory thought tion trans understanding University Press Vincent virtual visual Waking Worringer Worringer's writing York