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Seite 188
the emerging structures of sense and sensation that are implicit in the spatiotemporal experience of contemporary culture by revaluing / recontextualizing the Deleuzian notion of a life as immanence , constituting a judgment by life par ...
the emerging structures of sense and sensation that are implicit in the spatiotemporal experience of contemporary culture by revaluing / recontextualizing the Deleuzian notion of a life as immanence , constituting a judgment by life par ...
Seite 218
But they are not within thought ; they are perceptions experienced temporally . Synesthetic forms are therefore like diagrams . They are formulated from experience that has already been lived , habitmemories , a pastness within the ...
But they are not within thought ; they are perceptions experienced temporally . Synesthetic forms are therefore like diagrams . They are formulated from experience that has already been lived , habitmemories , a pastness within the ...
Seite 255
It seemed as though it was the destiny of precisely this age , out of its “ experience ” of “ life " and with new figures of a new myth , to restore coherence to a world become godless and ravaged through understanding , to make it ...
It seemed as though it was the destiny of precisely this age , out of its “ experience ” of “ life " and with new figures of a new myth , to restore coherence to a world become godless and ravaged through understanding , to make it ...
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Inhalt
The Meaning of Life MAY 0 3 | 135 |
Barebacking the Queer Male Subject and | 156 |
Waking Life and the Digital Aesthetics | 184 |
Urheberrecht | |
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abstract actual aesthetics affect AIDS animation argues Artaud attempt barebacking becomes biological biopolitics body calculability calls capitalism cinema concept contemporary continuity critical critique culture Deleuze Derrida desire differential discourse discussion Duke University economy engage essay Eugene example existence experience expression figure film flows follow force Foucault function Guattari homosexual human Ibid identity immanence inorganic insistence intensity Kracauer language limits living machine Marxism material meaning Michel Michigan move movement nature notion object opening organic original performance play political position possible potential practice present production provides pure question race reading reality refer relation representation rhetoric rotoscoping sense sexual signifying social society space structure studies suggests theater theory thought tion trans understanding University Press Vincent virtual visual Waking Worringer Worringer's writing York