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Seite 163
... this was encouraged through large amounts of misinformation and even mandates that made spaces conducive to public sex , like bathhouses , illegal.26 Yet , “ men who chose to attend the bathhouses and engage in unsafe ...
... this was encouraged through large amounts of misinformation and even mandates that made spaces conducive to public sex , like bathhouses , illegal.26 Yet , “ men who chose to attend the bathhouses and engage in unsafe ...
Seite 196
As Vivian Sobchack explains in The Address of the Eye : A Phenomenology of Film Experience , the cinematic is a dynamic relationship between equally engaged subjects : the spectator , the film , and its context .
As Vivian Sobchack explains in The Address of the Eye : A Phenomenology of Film Experience , the cinematic is a dynamic relationship between equally engaged subjects : the spectator , the film , and its context .
Seite 210
When we engage in movement - vision , we function outside of any subjectobject relation into a singularity of movement that does not involve the actual functioning of both subject and the object . As Massumi indicates , » The objectness ...
When we engage in movement - vision , we function outside of any subjectobject relation into a singularity of movement that does not involve the actual functioning of both subject and the object . As Massumi indicates , » The objectness ...
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Inhalt
The Meaning of Life MAY 0 3 | 135 |
Barebacking the Queer Male Subject and | 156 |
Waking Life and the Digital Aesthetics | 184 |
Urheberrecht | |
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abstract actual aesthetics affect AIDS animation argues Artaud attempt barebacking becomes biological biopolitics body calculability calls capitalism cinema concept contemporary continuity critical critique culture Deleuze Derrida desire differential discourse discussion Duke University economy engage essay Eugene example existence experience expression figure film flows follow force Foucault function Guattari homosexual human Ibid identity immanence inorganic insistence intensity Kracauer language limits living machine Marxism material meaning Michel Michigan move movement nature notion object opening organic original performance play political position possible potential practice present production provides pure question race reading reality refer relation representation rhetoric rotoscoping sense sexual signifying social society space structure studies suggests theater theory thought tion trans understanding University Press Vincent virtual visual Waking Worringer Worringer's writing York