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Seite 136
In 1966's Les Mots et les choses ( The Order of Things ) Foucault argues that the concept of life as such originates along with two other " quasi transcendentals " at the end of the classical age in the eighteenth century .
In 1966's Les Mots et les choses ( The Order of Things ) Foucault argues that the concept of life as such originates along with two other " quasi transcendentals " at the end of the classical age in the eighteenth century .
Seite 137
Agamben calls the conceptual operation separating the two “ the ban " or " abandonment ” and argues that it founds sovereignty . He tracks the modulations of that division through history . In the second section of Homo Sacer , Agamben ...
Agamben calls the conceptual operation separating the two “ the ban " or " abandonment ” and argues that it founds sovereignty . He tracks the modulations of that division through history . In the second section of Homo Sacer , Agamben ...
Seite 149
She argues that the tension in the film reflects the problematic of race in contemporary culture . Her article deepens and complicates the problematic set forth by Rabinow's work in different terms . Her detailed , brilliant reading of ...
She argues that the tension in the film reflects the problematic of race in contemporary culture . Her article deepens and complicates the problematic set forth by Rabinow's work in different terms . Her detailed , brilliant reading of ...
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Inhalt
The Meaning of Life MAY 0 3 | 135 |
Barebacking the Queer Male Subject and | 156 |
Waking Life and the Digital Aesthetics | 184 |
Urheberrecht | |
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abstract actual aesthetics affect AIDS animation argues Artaud attempt barebacking becomes biological biopolitics body calculability calls capitalism cinema concept contemporary continuity critical critique culture Deleuze Derrida desire differential discourse discussion Duke University economy engage essay Eugene example existence experience expression figure film flows follow force Foucault function Guattari homosexual human Ibid identity immanence inorganic insistence intensity Kracauer language limits living machine Marxism material meaning Michel Michigan move movement nature notion object opening organic original performance play political position possible potential practice present production provides pure question race reading reality refer relation representation rhetoric rotoscoping sense sexual signifying social society space structure studies suggests theater theory thought tion trans understanding University Press Vincent virtual visual Waking Worringer Worringer's writing York