Conversations with James EllroySteven Powell Univ. Press of Mississippi, 01.02.2012 - 224 Seiten As a novelist who has spent years crafting and refining his intense and oft outrageous “Demon Dog of American Crime Fiction” persona, James Ellroy has used interviews as a means of shaping narratives outside of his novels. Conversations with James Ellroy covers a series of interviews given by Ellroy from 1984 to 2010, in which Ellroy discusses his literary contribution and his public and private image. Born Lee Earle Ellroy in 1948, James Ellroy is one of the most critically acclaimed and controversial contemporary writers of crime and historical fiction. Ellroy's complex narratives, which merge history and fiction, have pushed the boundaries of the crime fiction genre: American Tabloid, a revisionist look at the Kennedy era, was Time magazine's Novel of the Year 1995, and his novels L.A. Confidential and The Black Dahlia were adapted into films. Much of Ellroy's remarkable life story has served as the template for the personal obsessions that dominate his writing. From the brutal, unsolved murder of his mother to his descent into alcohol and drug abuse, his sexual voyeurism, and his stints at the Los Angeles County Jail, Ellroy has lived through a series of hellish experiences that few other writers could claim. In Conversations with James Ellroy, the author talks extensively about his life, his literary influences, his persona, and his attitudes towards politics and religion. In interviews with fellow crime writers Craig McDonald, David Peace, and others, including several previously unpublished interviews, Ellroy is at turns charismatic and eloquent, combative and enigmatic. |
Inhalt
An Interview with James Ellroy | 3 |
Don Swaims Interview of James Ellroy | 11 |
James Ellroy | 20 |
Doctor Noir | 25 |
Interview with a Hepcat | 36 |
A Conversation with James Ellroy | 40 |
1995 | 53 |
Barking | 61 |
James Ellroy | 125 |
To Live and Die in LA | 132 |
The Black Dahlia LA Confidential | 149 |
Engaging the Horror | 158 |
Coda for Crime Fiction | 169 |
The Art of Fiction | 176 |
The Romantics Code | 189 |
James Ellroy Previews Bloods a Rover | 201 |
Dead Women Owned His Soul | 92 |
Confidential Commentary | 99 |
Lunch and Tea with James Ellroy | 104 |
The Tremor of Intent | 114 |
An Audience with LA Confidential Author James Ellroy | 205 |
James Ellroy and David Peace in Conversation | 212 |
| 219 | |
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American Tabloid Angeles assassination Bill Stoner Black Dahlia murder Blood Blood's a Rover Brown's Requiem caddy called characters Clandestine Cold Six Thousand Country Club crime fiction crime novels crime writer Crutchfield Dark Places death DeLillo detective drugs early Elizabeth Short Ellroy's father film noir friends fucking go back Hammett Helen Knode Hollywood homicide Interviewer Jack James Ellroy Kennedy killed killer knew L.A. Confidential L.A. Quartet LAPD live look memoir moral mother mother's murder movie Mysterious Press never nonfiction novelist novellas obsessed Otto Penzler outline person Pete Bondurant piece plot police political private eye published racist readers realized Reprinted by permission screenplay shit started story style talk tell there's things tour U.S.A. trilogy Underworld U.S.A. Underworld U.S.A. trilogy Wambaugh wanted to write White Jazz who's woman women wonderful wrote Yeah
