Ausgeblendete Felder
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" Segnius irritant animos demissa per aurem, Quam quae sunt oculis subjecta fidelibus. "
The student's ecclesiastical history - Seite 431
von Philip Smith - 1878
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Bell's Classical Arrangement of Fugitive Poetry, Bände 5-6

John Bell - 1789 - 442 Seiten
...returns, When pochets suffer, and when anger burns, &c. J Aut agitur res in scenis, aut acta refertur. Segnius irritant animos demissa per aurem, Quam quae sunt oculis subjecta fidelibus, et quae Ipse sibi tradit speftator * » * * * * Quodcumque ostendis mihi sic, incredulus odi. 106. Those...
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The Critical and Miscellaneous Prose Works of John Dryden ..., Band 1,Ausgabe 2

John Dryden, Edmond Malone - 1800 - 591 Seiten
...plainly decided by the same author in his preceding words : Aut agitur res in scenis, aut acta refertur : Segnius irritant animos demissa per aurem, Quam quae sunt oculis subjecta fidelibus, el quae Ipse sibi tradit spectator. By which he directly declares his judgment, tha* everything makes...
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Lectures on Rhetoric and Oratory: Delivered to the Classes of Senior ..., Band 1

John Quincy Adams - 1810 - 466 Seiten
...prescribed only for the composition of poetry, are univer. sally applicable to all the fine arts. Segn'ms irritant animos demissa per aurem, Quam quae sunt oculis subjecta fidelibus, et quae Ipse sibi tradit spectator. ABT. POET. 180. A passage, which has been well translated br Roscommon....
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The Gleaner: A Series of Periodical Essays, Band 2

Nathan Drake - 1811 - 446 Seiten
...objects that pass through the organs of sight, those faithful evidences in a mental court of judicature, Segnius irritant animos demissa per aurem, Quam quae sunt oculis subjecta fidelibus, et quas Jpse sibi tradit spectator : — . For this reason, many passages, in which the epic writer warms and...
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The works of Richard Hurd, Band 4

Richard Hurd (bp. of Worcester.) - 1811 - 456 Seiten
...in the heads of these critics, though his own words confine the observation singly to the stage : . Segnius irritant animos demissa per aurem Quam quae sunt oculis subjecta fidelibus, et quae Ipse sibi tradit Spectator That, which passes in representation, and challenges, as it were, the...
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The Remains of Henry Kirke White of Nottingham, Late of St. John ..., Bände 2-3

Henry Kirke White - 1811 - 544 Seiten
...what an immense difference there is in point of effect between a relation and a representation. 218 Segnius irritant animos demissa per aurem, Quam quae sunt oculis subjecta fidelibus, et qua: Ipse sibi tradit spectator. An Poet. I. 180. < T shall conclude these desultory remarks, strung...
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Q. Horatii Fl. Opera ad Lectiones probatiores diligenter emendata et ..., Band 2

Horace - 1813 - 254 Seiten
...viriles ; Semper in adjunctis aevoque morabimur aptis. Aut agitur res in scenis, aut acta refertur. Segnius irritant animos demissa per aurem, Quam quae sunt oculis subjecta fidelibus, et quae. Ipse sibi tradit spectator. Non tamen intus Digna geri promes in scenam : multaquc tolleç Ex...
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Herodotus, Band 1

Herodotus - 1814 - 422 Seiten
...precepts recorded by wise men for tuting the ears and the eyes for the discourse and the sight of objects. Segnius irritant animos demissa per aurem Quam quae sunt oculis subjecta fidelibus. Hor. Ars Poet. 180. Polybius coincides in part with our historian, when he advances, that nature having...
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A View of the English Stage: Or, A Series of Dramatic Criticisms

William Hazlitt - 1818 - 282 Seiten
...obtruded on his notice, and occupy as much time as the most important. We do not mean to say that 1 Segnius irritant animos demissa per aurem, Quam quae sunt oculis subjecta fidelibus, et quce Ipse sibi tradit spectator. — HORACE, Ars Poelica. A thing when heard, remember, strikes less...
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The Plays and Poems of William Shakspeare, Band 20

William Shakespeare - 1821 - 486 Seiten
...Forest, the second of February, 1575." MALONE. 4 To see sad sights moves more than hear them told :] Segnius irritant animos demissa per aurem Quam quae sunt oculis subjecta fidelibus. Hor. MALONE. > For then the eye INTERPEETS to the ear The heavy MOTION that it doth behold,] Our author...
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