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The idle feminine lady has to be summoned by the text both to define the deviance of women workers , and to defend against the dreadful sight of what labor can do to a woman . Rigidly encased in a costume which physically inhibited her ...
The idle feminine lady has to be summoned by the text both to define the deviance of women workers , and to defend against the dreadful sight of what labor can do to a woman . Rigidly encased in a costume which physically inhibited her ...
Seite 147
Black women are nowhere to be found in this displaced scenario . Black women are dropped from history . It is in the context of this ignoble history that Dash's Illusions and Daughters of the Dust must be seen .
Black women are nowhere to be found in this displaced scenario . Black women are dropped from history . It is in the context of this ignoble history that Dash's Illusions and Daughters of the Dust must be seen .
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WOMEN'S STUDIES 1 Editor Wendy Martin The Claremont Graduate School California 1 Special rates available lo Modem Language Association of America and National Women's Studies Association " Women's Studies represents one of women's ...
WOMEN'S STUDIES 1 Editor Wendy Martin The Claremont Graduate School California 1 Special rates available lo Modem Language Association of America and National Women's Studies Association " Women's Studies represents one of women's ...
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Inhalt
The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York