Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 60
... vision with knowledge and truth . An anonymous observer at Diamond's talk concluded that " the photographer catches in a moment the permanent cloud , or the passing storm or sunshine of the soul , and thus enables the metaphysician to ...
... vision with knowledge and truth . An anonymous observer at Diamond's talk concluded that " the photographer catches in a moment the permanent cloud , or the passing storm or sunshine of the soul , and thus enables the metaphysician to ...
Seite 84
... Vision , " he writes , rather than a privileged form of knowing , becomes itself an object of knowledge , of observation . From the beginning of the nineteenth century a science of vision will tend to mean increasingly an interrogation ...
... Vision , " he writes , rather than a privileged form of knowing , becomes itself an object of knowledge , of observation . From the beginning of the nineteenth century a science of vision will tend to mean increasingly an interrogation ...
Seite 125
... vision iconic , in opposition to mundane vision ( which itself engenders a discourse on the trace , the imprint , et cetera ) . Compare " L'irréel photographique , " La recherche photographique 2 ( Spring 1987 ) . Works Cited Barthes ...
... vision iconic , in opposition to mundane vision ( which itself engenders a discourse on the trace , the imprint , et cetera ) . Compare " L'irréel photographique , " La recherche photographique 2 ( Spring 1987 ) . Works Cited Barthes ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York