Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 129
... thinking like victims and become empowered - no matter what happens . As Collette Lafonte asks in Thriller ( 1979 ) , " Would I have wanted to be the hero ? " That is the question for women . Empirical Avant - Garde Empiricists are not ...
... thinking like victims and become empowered - no matter what happens . As Collette Lafonte asks in Thriller ( 1979 ) , " Would I have wanted to be the hero ? " That is the question for women . Empirical Avant - Garde Empiricists are not ...
Seite 143
... thinking is inseparable from the general content of thinking as a whole " ( Film Form 234 ) . Moffatt thinks through montage . Her films and her series of photographs embody what Eisenstein calls “ an inner unity , " not the " outer ...
... thinking is inseparable from the general content of thinking as a whole " ( Film Form 234 ) . Moffatt thinks through montage . Her films and her series of photographs embody what Eisenstein calls “ an inner unity , " not the " outer ...
Seite 187
... thinking , “ a hybrid form of thinking " which encom- passes not opposite but complementary notions . Durand refers to the photographic domain proper in terms of " a counter Winter 1993-94 187.
... thinking , “ a hybrid form of thinking " which encom- passes not opposite but complementary notions . Durand refers to the photographic domain proper in terms of " a counter Winter 1993-94 187.
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York