Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 129
... thinking like victims and become empowered - no matter what happens . As Collette Lafonte asks in Thriller ( 1979 ) , " Would I have wanted to be the hero ? " That is the question for women . Empirical Avant - Garde Empiricists are not ...
... thinking like victims and become empowered - no matter what happens . As Collette Lafonte asks in Thriller ( 1979 ) , " Would I have wanted to be the hero ? " That is the question for women . Empirical Avant - Garde Empiricists are not ...
Seite 143
... thinking is inseparable from the general content of thinking as a whole " ( Film Form 234 ) . Moffatt thinks through montage . Her films and her series of photographs embody what Eisenstein calls “ an inner unity , " not the " outer ...
... thinking is inseparable from the general content of thinking as a whole " ( Film Form 234 ) . Moffatt thinks through montage . Her films and her series of photographs embody what Eisenstein calls “ an inner unity , " not the " outer ...
Seite 187
... thinking , “ a hybrid form of thinking " which encom- passes not opposite but complementary notions . Durand refers to the photographic domain proper in terms of " a counter Winter 1993-94 187.
... thinking , “ a hybrid form of thinking " which encom- passes not opposite but complementary notions . Durand refers to the photographic domain proper in terms of " a counter Winter 1993-94 187.
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic African African-American analysis Arthur Munby artist avant-garde become Bellour blur body boredom bourgeois Brassaï calls Cambridge camera Camera Lucida Cindy Sherman cinema closeup construction contemporary critical critique culture Dash Daughters Deleuze desire discourse Duchenne Duchenne's Durand Eisenstein Ellen emotions ennui essay example experience face facial fantasy female feminine feminism feminist feminist film theory fetish figure film Fredric Jameson gaze gender girl hooks ical Jayamanne Jedda Jimmy Little Julie Dash Kracauer Krauss L'entre-images labor Langton look Madonna male meaning medical photography Mignon mise en scène modern mother Munby Munby's Murray narrative Night Cries nineteenth century nude object painting Paris photographs politics pose postmodern raphy relation remake representation reveals semiotic sexual difference shock signs social space specific story theater theory thinking tion tograph trace Tracey Moffatt Trans truth viewer vision visual woman women writing York