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Seite 81
In other words , is boredom a defense mechanism or avoidance behavior – an aesthetic response to the blockage or paralysis of historicity - or , is it , in fact , the thing itself ? Questions must also be raised with respect to the ...
In other words , is boredom a defense mechanism or avoidance behavior – an aesthetic response to the blockage or paralysis of historicity - or , is it , in fact , the thing itself ? Questions must also be raised with respect to the ...
Seite 120
It is the very thing that veils in revealing , the veil that reveals in re - veiling , in the ambiguous uncertainty of the word “ reveal . ” The image is image in this duplicity — not the double of the object , but - the initial ...
It is the very thing that veils in revealing , the veil that reveals in re - veiling , in the ambiguous uncertainty of the word “ reveal . ” The image is image in this duplicity — not the double of the object , but - the initial ...
Seite 168
What I love in these " blurred " images , or more exactly what interests me ( for I am far from loving them all , and very little truly moves me ) , is that , for one thing , they restore to the pho tograph a play with line and depth ...
What I love in these " blurred " images , or more exactly what interests me ( for I am far from loving them all , and very little truly moves me ) , is that , for one thing , they restore to the pho tograph a play with line and depth ...
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The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York