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This psychic mood is the correct subjective reflection of a complete money economy to the extent that money takes the place of all the manifoldness of things and expresses all qualitative distinctions between them in the distinction of ...
This psychic mood is the correct subjective reflection of a complete money economy to the extent that money takes the place of all the manifoldness of things and expresses all qualitative distinctions between them in the distinction of ...
Seite 98
Mechanization Takes Command : A Contribution to Anonymous History . New York : Oxford UP , 1948 . Gunning , Tom . “ An Aesthetic of Astonishment : Early Film and the ( In ) credulous Spectator . ” Art & Text 34 ( 1989 ) : 31-45 .
Mechanization Takes Command : A Contribution to Anonymous History . New York : Oxford UP , 1948 . Gunning , Tom . “ An Aesthetic of Astonishment : Early Film and the ( In ) credulous Spectator . ” Art & Text 34 ( 1989 ) : 31-45 .
Seite 104
Many critics assume that since Sherman poses herself and takes pictures of herself , she is in control of her image . According to Lisa Phillips in the catalogue accompanying the 1987 Sherman show at the Whitney : “ Because Sherman is ...
Many critics assume that since Sherman poses herself and takes pictures of herself , she is in control of her image . According to Lisa Phillips in the catalogue accompanying the 1987 Sherman show at the Whitney : “ Because Sherman is ...
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The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York