Im Buch
Ergebnisse 1-3 von 19
Seite 135
Space is not empty but full of meanings particularly the black space of the frame in Night Cries . Like Aboriginal landmarks we cannot see , space is filled with history , haunted by sound . It is the space out of which a forgotten ...
Space is not empty but full of meanings particularly the black space of the frame in Night Cries . Like Aboriginal landmarks we cannot see , space is filled with history , haunted by sound . It is the space out of which a forgotten ...
Seite 140
As Australian film critic Ingrid Periz explains , its space is “ inhabited by memory of a once great cattle station fallen victim to a changing agricultural economy , of foregone hope , of resentment and familial obligation ” ...
As Australian film critic Ingrid Periz explains , its space is “ inhabited by memory of a once great cattle station fallen victim to a changing agricultural economy , of foregone hope , of resentment and familial obligation ” ...
Seite 154
Bambara's analysis of the use of space in Daughters of the Dust is akin to that of Deleuze ( regarding Orson Welles ) and inflected by Bazin . This is “ shared space ( wide - angled , deep focus ) ” rather than “ dominated space ...
Bambara's analysis of the use of space in Daughters of the Dust is akin to that of Deleuze ( regarding Orson Welles ) and inflected by Bazin . This is “ shared space ( wide - angled , deep focus ) ” rather than “ dominated space ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
10 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York