Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 135
... Space is not empty but full of meanings ― - particularly the black space of the frame in Night Cries . Like Aboriginal landmarks we cannot see , space is filled with history , haunted by sound . It is the space out of which a forgotten ...
... Space is not empty but full of meanings ― - particularly the black space of the frame in Night Cries . Like Aboriginal landmarks we cannot see , space is filled with history , haunted by sound . It is the space out of which a forgotten ...
Seite 140
... space , a space of recollection " ( 16 ) . The film opens with a quote from Rosalind Russell , who stars in Picnic , a film which suggests a stifling scenario of entrap- ment , of failed expectation , of waiting . Perez concludes ...
... space , a space of recollection " ( 16 ) . The film opens with a quote from Rosalind Russell , who stars in Picnic , a film which suggests a stifling scenario of entrap- ment , of failed expectation , of waiting . Perez concludes ...
Seite 154
... space in Daughters of the Dust is akin to that of Deleuze ( regarding Orson Welles ) and inflected by Bazin . This is “ shared space ( wide - angled , deep focus ) " rather than " dominated space , " space which portrays conflicts that ...
... space in Daughters of the Dust is akin to that of Deleuze ( regarding Orson Welles ) and inflected by Bazin . This is “ shared space ( wide - angled , deep focus ) " rather than " dominated space , " space which portrays conflicts that ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York