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Seite 36
The women have bodies but no signs to sex them , that is , to make them signify difference . In the other set , sexual difference is paradoxically confirmed through the evasion of the body and the proliferation of signs of difference ...
The women have bodies but no signs to sex them , that is , to make them signify difference . In the other set , sexual difference is paradoxically confirmed through the evasion of the body and the proliferation of signs of difference ...
Seite 41
The fact that they are clean , that is , without evident signs of sexual or other bodily functions , produces a prosaic relief following the excitement and danger of having dared indirectly to look at a woman's sex .
The fact that they are clean , that is , without evident signs of sexual or other bodily functions , produces a prosaic relief following the excitement and danger of having dared indirectly to look at a woman's sex .
Seite 193
The photographic is thus said to lend to the surrealist object an uncanny operation of continual disorientation and displacement denoted by the signs of substitution . Such considerations sustain Krauss's significant assertion that ...
The photographic is thus said to lend to the surrealist object an uncanny operation of continual disorientation and displacement denoted by the signs of substitution . Such considerations sustain Krauss's significant assertion that ...
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Inhalt
The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York