Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 36
... signs to sex them , that is , to make them signify difference . In the other set , sexual difference is paradoxically confirmed through the evasion of the body and the proliferation of signs of difference coded through costume , posture ...
... signs to sex them , that is , to make them signify difference . In the other set , sexual difference is paradoxically confirmed through the evasion of the body and the proliferation of signs of difference coded through costume , posture ...
Seite 41
... signs not of dirt , but of sexuality , examining that area which would have touched the sexual parts of her body , looking directly at which might prove psychologically traumatic . The fact that they are clean , that is , without ...
... signs not of dirt , but of sexuality , examining that area which would have touched the sexual parts of her body , looking directly at which might prove psychologically traumatic . The fact that they are clean , that is , without ...
Seite 157
... Signs " 123 ) . Bambara concludes that the next stage of independent cinema will be " pluralistic , transcultural , and international , " with an " amplified and indelible presence of women " ( " Reading the Signs " 143 ) . ... ... But ...
... Signs " 123 ) . Bambara concludes that the next stage of independent cinema will be " pluralistic , transcultural , and international , " with an " amplified and indelible presence of women " ( " Reading the Signs " 143 ) . ... ... But ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York