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Seite 26
It is only the absence of the bourgeois law as the regulatory condition for “ sexuality ” ( used here in Foucault's sense of a specifically bourgeois construct ) which renders the practices of other populations illicit or transgressive ...
It is only the absence of the bourgeois law as the regulatory condition for “ sexuality ” ( used here in Foucault's sense of a specifically bourgeois construct ) which renders the practices of other populations illicit or transgressive ...
Seite 112
Sherman's sense of identity must have been interwoven , to some extent , with the costumes she donned at social functions at college and at work . Autobio graphical denial is commonplace amongst artists and writers ; however , denial ...
Sherman's sense of identity must have been interwoven , to some extent , with the costumes she donned at social functions at college and at work . Autobio graphical denial is commonplace amongst artists and writers ; however , denial ...
Seite 118
The uses of photography have , of course , grown exponentially , especially in the sense of inventing forms and worlds that no longer owe anything to the real , and in the sense of a photographer's individual expression .
The uses of photography have , of course , grown exponentially , especially in the sense of inventing forms and worlds that no longer owe anything to the real , and in the sense of a photographer's individual expression .
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Inhalt
The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York