Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
Im Buch
Ergebnisse 1-3 von 31
Seite 147
... says , " I pre- tend it's me up there . Do you pretend when you're with them ? Don't worry , they can't tell like we can . " When Mignon is talking to her mother on the telephone , she says , “ I am still the same person ... they didn't ...
... says , " I pre- tend it's me up there . Do you pretend when you're with them ? Don't worry , they can't tell like we can . " When Mignon is talking to her mother on the telephone , she says , “ I am still the same person ... they didn't ...
Seite 151
... says , “ I was drawing on what I had experienced watching films by Spencer Williams , films from the 1930s , like The Blood of Jesus and Go Down Death ” ( DBh 28 ) . In an interview with Zeinabu irene Davis , also a wonderful filmmaker ...
... says , “ I was drawing on what I had experienced watching films by Spencer Williams , films from the 1930s , like The Blood of Jesus and Go Down Death ” ( DBh 28 ) . In an interview with Zeinabu irene Davis , also a wonderful filmmaker ...
Seite 152
... says , " I was using this as a symbol of slavery , to create a new kind of icon around slavery rather than the traditional showing of the whip marks or the chains " ( DBh 31 ) . For hooks , this is a tactic of “ defamiliarization " ( 31 ) ...
... says , " I was using this as a symbol of slavery , to create a new kind of icon around slavery rather than the traditional showing of the whip marks or the chains " ( DBh 31 ) . For hooks , this is a tactic of “ defamiliarization " ( 31 ) ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York