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Seite 48
Hudson is not alone in perceiving a chivalrous and courtly turn to Munby's relations , especially with working - class women ... 2 I make this statement with full awareness that the archive's relation to sexualities invites and indeed ...
Hudson is not alone in perceiving a chivalrous and courtly turn to Munby's relations , especially with working - class women ... 2 I make this statement with full awareness that the archive's relation to sexualities invites and indeed ...
Seite 120
For there is no direct , immediate relation to the real . Instead , there is always a detour through the symbolic , this back - and - forth of appearance / disappearance that is the source of all knowledge and all representation .
For there is no direct , immediate relation to the real . Instead , there is always a detour through the symbolic , this back - and - forth of appearance / disappearance that is the source of all knowledge and all representation .
Seite 189
And how does it facilitate our access to the real ? These are the questions that inform Durand's exploration of photography as “ an experience of the world , an experience of our relation to the world " ( 74 ) .
And how does it facilitate our access to the real ? These are the questions that inform Durand's exploration of photography as “ an experience of the world , an experience of our relation to the world " ( 74 ) .
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Inhalt
The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York