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This position is untenable given that the work grew out of her childhood ( and adult ) fascination with dressing - up . Sherman's sense of identity must have been interwoven , to some extent , with the costumes she donned at social ...
This position is untenable given that the work grew out of her childhood ( and adult ) fascination with dressing - up . Sherman's sense of identity must have been interwoven , to some extent , with the costumes she donned at social ...
Seite 157
... another position , the " central problem ” is developing " a body of knowledge on representation of Aboriginal people ... and a critical perspective ... drawing from Aboriginal world views , from Western traditions , and from ...
... another position , the " central problem ” is developing " a body of knowledge on representation of Aboriginal people ... and a critical perspective ... drawing from Aboriginal world views , from Western traditions , and from ...
Seite 182
As Sante writes , “ In viewing these pictures , we are in the position of that God : those unfortunates who happened to get themselves murdered in a saloon we label as drunkards without even thinking about it ; women sprawled on beds ...
As Sante writes , “ In viewing these pictures , we are in the position of that God : those unfortunates who happened to get themselves murdered in a saloon we label as drunkards without even thinking about it ; women sprawled on beds ...
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The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York