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Seite 54
The pose of Sgt . William Shakespeare is extraordinary because of its intertextual correspondence with the statue , yet the pose is typical in that it marks a contest for meaning between the aesthetic and the scientific in medical ...
The pose of Sgt . William Shakespeare is extraordinary because of its intertextual correspondence with the statue , yet the pose is typical in that it marks a contest for meaning between the aesthetic and the scientific in medical ...
Seite 55
Thus , the pose marks the intersection of these two discourses with a paradox : within aesthetic discourse the pose signifies the presence of the artist / photographer who has carefully arranged the model , while in scientific discourse ...
Thus , the pose marks the intersection of these two discourses with a paradox : within aesthetic discourse the pose signifies the presence of the artist / photographer who has carefully arranged the model , while in scientific discourse ...
Seite 70
Dr. Duchenne stands next to the beaming old man in a pose that seems to confirm his understanding of medical photography's structuring contradiction ; one writer has referred to a similar photograph as a “ selfportrait , ” though ...
Dr. Duchenne stands next to the beaming old man in a pose that seems to confirm his understanding of medical photography's structuring contradiction ; one writer has referred to a similar photograph as a “ selfportrait , ” though ...
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The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York