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Seite 39
Her father was evidently fond and proud of the child . ... Then we talked about being " drawed aht " [ photographed ) . Ellen said she had been “ draw'd aht twice in my pit claes " and had seen her own picture hanging up ...
Her father was evidently fond and proud of the child . ... Then we talked about being " drawed aht " [ photographed ) . Ellen said she had been “ draw'd aht twice in my pit claes " and had seen her own picture hanging up ...
Seite 58
The photographer , on the other hand , needs , in many cases , no aid from any language but his own , preferring rather to listen with the picture before him , to the silent but telling language of nature — it is unnecessary for him to ...
The photographer , on the other hand , needs , in many cases , no aid from any language but his own , preferring rather to listen with the picture before him , to the silent but telling language of nature — it is unnecessary for him to ...
Seite 146
Happily ever after depends on eliminating African - Americans from the national picture ; “ the end ” is absence . This film established conventions of representation still intact in 1993 . It is critical to remember that Item II.6 of ...
Happily ever after depends on eliminating African - Americans from the national picture ; “ the end ” is absence . This film established conventions of representation still intact in 1993 . It is critical to remember that Item II.6 of ...
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The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York