Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 58
... picture before him , to the silent but telling language of nature — it is unnec- essary for him to use the vague terms which denote a differ- ence in the degree of mental suffering , as for instance , distress , sorrow , deep sorrow ...
... picture before him , to the silent but telling language of nature — it is unnec- essary for him to use the vague terms which denote a differ- ence in the degree of mental suffering , as for instance , distress , sorrow , deep sorrow ...
Seite 93
... picture may distort ; but there is always a presumption that something exists , or did exist , which is like what's in the picture ” ( 5 ) . 2 On Brassaï's life and work , see Hill and Cooper as well as the series of essays and ...
... picture may distort ; but there is always a presumption that something exists , or did exist , which is like what's in the picture ” ( 5 ) . 2 On Brassaï's life and work , see Hill and Cooper as well as the series of essays and ...
Seite 146
... picture ; " the end " is absence . This film established conventions of representation still intact in 1993 . It is critical to remember that Item II.6 of the Motion Picture Production Code of 1933 reads " MISCEGENATION ( sex rela ...
... picture ; " the end " is absence . This film established conventions of representation still intact in 1993 . It is critical to remember that Item II.6 of the Motion Picture Production Code of 1933 reads " MISCEGENATION ( sex rela ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York